to find ourselves or not to find ourselves.
to find ourselves or not to find ourselves.
as we always see only a refraction of the mighty reflection;because we experience everything of the 'then' reawakened now "as now",by memory,through an ever changing relationship because of changing environments,forms,desires and beliefs...then the 'I' becomes illusionary ,and we become lost to ourselves;then,how can we know whether we desire to lose or to find ourselves?
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Elizabeth Isabelle
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Re: to find ourselves or not to find ourselves.
Neither, as there is no "I" to either lose or find.bert wrote:the 'I' becomes illusionary ,and we become lost to ourselves;then,how can we know whether we desire to lose or to find ourselves?
- Dan Rowden
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Steven Coyle
- sue hindmarsh
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Steven wrote:
That is no excuse for not writing in sentences.
By not writing in proper sentences, all he is “responding†to is that infernal Cow (the Feminine).
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Sue
bert writes in essences.
That is no excuse for not writing in sentences.
He also responds to the eternal (Tao).
By not writing in proper sentences, all he is “responding†to is that infernal Cow (the Feminine).
What “knowledge†are you speaking of? Can you explain how this “eternal flux†is our “own nature�Which, I think, is the answer to his own question:
"...how can we know whether we desire to lose or to find ourselves?"
By returning to our knowledge of the eternal flux, which is our own nature.
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Sue
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Steven Coyle
I guess so.Steven: bert writes in essences.
Sue: That is no excuse for not writing in sentences.
Though I can understand his impulse.
Creative expression self-ignites.
[laughs]Steven: He also responds to the eternal (Tao).
Sue: By not writing in proper sentences, all he is “responding†to is that infernal Cow (the Feminine).
Could be.
But again, it takes knowledge of the Tao to really recognize his intention.
He makes his own rules.
His writing could use some verbatim.
bert, can you translate your own language?
1. The empty nature of reality - and its reliance to our own perception.Steven: Which, I think, is the answer to his own question:
"...how can we know whether we desire to lose or to find ourselves?"
By returning to our knowledge of the eternal flux, which is our own nature.
Sue: 1. What “knowledge†are you speaking of? 2. Can you explain how this “eternal flux†is our “own nature�
2. "You were never born, and you will never die."
Seeing that Nature is uncaused [. . . something can't arise out of nothing . . .] - it makes sense that we are also uncaused: Which makes all our actions caused, as well as predetermined.
Re: to find ourselves or not to find ourselves.
:)Elizabeth Isabelle wrote:Neither, as there is no "I" to either lose or find.bert wrote:the 'I' becomes illusionary ,and we become lost to ourselves;then,how can we know whether we desire to lose or to find ourselves?
mine 'I' is a creator of cows! and 'he' loves their breasts!Quote:
Steven: He also responds to the eternal (Tao).
Sue: By not writing in proper sentences, all he is “responding†to is that infernal Cow (the Feminine).
[laughs]
Could be.
not a cow-herd,or cows,nor grass!
What is Cow?isn't it a fountain?didst thou not crowd the spaces with cows of desire,unknown and manifesting and teach nature all secrets , didst thou not create God!?didst thou not create and destroy Woman?
to what?But again, it takes knowledge of the Tao to really recognize his intention.
He makes his own rules.
His writing could use some verbatim.
bert, can you translate your own language?
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Elizabeth Isabelle
- Posts: 3771
- Joined: Tue Sep 05, 2006 11:35 am
Um, perhaps to modern English? Oh, I mean: If thou couldest, sire, imagine thine self to be in the 21st century. Nay, the 20th century would suffice. Speak then sire, with the tongue of your new native time.bert wrote:didst thou not crowd the spaces with cows of desire,unknown and manifesting and teach nature all secrets , didst thou not create God!?didst thou not create and destroy Woman?
Quote:
But again, it takes knowledge of the Tao to really recognize his intention.
He makes his own rules.
His writing could use some verbatim.
bert, can you translate your own language?
to what?
why do you think artist use art?bert, can you translate your own language?
what are they expressing?
why are creative ideas ill-birthed?
why did the ancient egyptians use illustrations?
how precise can you speak of a concept that dwells in between?
what we make factual ceases to have abstract value and thereby becomes his exact opposite.
isn't my previous post 20th worthy?Elizabeth Isabelle wrote:Um, perhaps to modern English? Oh, I mean: If thou couldest, sire, imagine thine self to be in the 21st century. Nay, the 20th century would suffice. Speak then sire, with the tongue of your new native time.bert wrote:didst thou not crowd the spaces with cows of desire,unknown and manifesting and teach nature all secrets , didst thou not create God!?didst thou not create and destroy Woman?
Quote:
But again, it takes knowledge of the Tao to really recognize his intention.
He makes his own rules.
His writing could use some verbatim.
bert, can you translate your own language?
to what?
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Elizabeth Isabelle
- Posts: 3771
- Joined: Tue Sep 05, 2006 11:35 am
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Elizabeth Isabelle
- Posts: 3771
- Joined: Tue Sep 05, 2006 11:35 am
I can see value in various ways of communicating, but the degree to which people have no clue what we are talking about is the degree to which we are not communicating our ideas.bert wrote: what we make factual ceases to have abstract value and thereby becomes his exact opposite.
Salvador Dali may have been a great artist, but without listening to the tour guide, most people see far less than what is really in the paintings.
yeah,of course.Elizabeth Isabelle wrote:I can see value in various ways of communicating, but the degree to which people have no clue what we are talking about is the degree to which we are not communicating our ideas.bert wrote: what we make factual ceases to have abstract value and thereby becomes his exact opposite.
Salvador Dali may have been a great artist, but without listening to the tour guide, most people see far less than what is really in the paintings.
you look a good guide,
you explained it by 'factual thinking'.(a 21st century notion :))
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Elizabeth Isabelle
- Posts: 3771
- Joined: Tue Sep 05, 2006 11:35 am
The current year is 2006. We have been in the 21st century for almost seven years now.bert wrote:can you speak 21st?Elizabeth Isabelle wrote:The one quoted is 13th worthy. Your other posts that I saw were more modern - I thought you might be joking with your "thou"s and "didst"s, so I was following up with that.
I would enjoy some tips on that.
great!,many years time to catch up thenElizabeth Isabelle wrote:The current year is 2006. We have been in the 21st century for almost seven years now.bert wrote:can you speak 21st?Elizabeth Isabelle wrote:The one quoted is 13th worthy. Your other posts that I saw were more modern - I thought you might be joking with your "thou"s and "didst"s, so I was following up with that.
I would enjoy some tips on that.
the factual thinking link:
http://nnw-folding.berlios.de/docs.php/intro-ftl
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millipodium
Whoever wrote this website is a blithering moron. I'm sorry. The emperor is naked with his tiny flapdoodle exposed to all.bert wrote:great!,many years time to catch up thenElizabeth Isabelle wrote:The current year is 2006. We have been in the 21st century for almost seven years now.bert wrote:can you speak 21st?Elizabeth Isabelle wrote:The one quoted is 13th worthy. Your other posts that I saw were more modern - I thought you might be joking with your "thou"s and "didst"s, so I was following up with that.
I would enjoy some tips on that.
the factual thinking link:
http://nnw-folding.berlios.de/docs.php/intro-ftl
how come?millipodium wrote:Whoever wrote this website is a blithering moron. I'm sorry. The emperor is naked with his tiny flapdoodle exposed to all.bert wrote:great!,many years time to catch up thenElizabeth Isabelle wrote:The current year is 2006. We have been in the 21st century for almost seven years now.bert wrote: can you speak 21st?
I would enjoy some tips on that.
the factual thinking link:
http://nnw-folding.berlios.de/docs.php/intro-ftl
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Steven Coyle
No, no . . .bert wrote:why do you think artist use art?bert, can you translate your own language?
what are they expressing?
why are creative ideas ill-birthed?
why did the ancient egyptians use illustrations?
how precise can you speak of a concept that dwells in between?
what we make factual ceases to have abstract value and thereby becomes his exact opposite.
I get where you're coming from (also an artist).
"Can you translate your abstractions into a more easily accessible form?"
Maybe by using illustrations, or mixing your visions with supporting statements, you'd be able to get your mind across more effectively.
I think you'd also find that by communicating with more effect, you'd sequentially access more knowledge -- seeing that all knowledge is self-endowed.
- sue hindmarsh
- Posts: 1083
- Joined: Mon Oct 24, 2005 9:02 am
- Location: Sous Le Soleil
Steven Coyle wrote:
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Sue
Are you saying that without human consciousness, Nature doesn’t exist?1. The empty nature of reality - and its reliance to our own perception.Sue: 1. What “knowledge†are you speaking of? 2. Can you explain how this “eternal flux†is our “own nature�Steven: Which, I think, is the answer to his own question:
"...how can we know whether we desire to lose or to find ourselves?"
By returning to our knowledge of the eternal flux, which is our own nature.
You've a couple of ideas which you've slammed together. Perhaps if you'll explain a couple of points, your ideas will become clearer. How is Nature “uncaused� And how are we both uncaused and caused?2. "You were never born, and you will never die."
Seeing that Nature is uncaused [. . . something can't arise out of nothing . . .] - it makes sense that we are also uncaused: Which makes all our actions caused, as well as predetermined.
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Sue
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millipodium
it took much effort to built up the essences into a practical whole.one can not just jump that easily out of a framework that is already extremely evolved and think that it could be expressed as easily and above all effectively as it was.I know perfectly what I mean with everything I say,that others can not relate to it does not matter to that what is said.Steven Coyle wrote:No, no . . .bert wrote:why do you think artist use art?bert, can you translate your own language?
what are they expressing?
why are creative ideas ill-birthed?
why did the ancient egyptians use illustrations?
how precise can you speak of a concept that dwells in between?
what we make factual ceases to have abstract value and thereby becomes his exact opposite.
I get where you're coming from (also an artist).
"Can you translate your abstractions into a more easily accessible form?"
Maybe by using illustrations, or mixing your visions with supporting statements, you'd be able to get your mind across more effectively.
I think you'd also find that by communicating with more effect, you'd sequentially access more knowledge -- seeing that all knowledge is self-endowed.
but I'll make an effort to express myself more effectively.
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Steven Coyle
What you see above is an attempt at describing emptiness. "Reliance" was a poor word choice.The empty nature of reality - and its reliance to our own perception.
Are you saying that without human consciousness, Nature doesn’t exist?
1. Conceptually, Nature is uncaused, due to the logical impossiblity of something arising from nothing."You were never born, and you will never die."
Seeing that Nature is uncaused [. . . something can't arise out of nothing . . .] - it makes sense that we are also uncaused: Which makes all our actions caused, as well as predetermined.
You've a couple of ideas which you've slammed together. Perhaps if you'll explain a couple of points, your ideas will become clearer. 1. How is Nature “uncaused� 2. And how are we both uncaused and caused?
2. An unclear explaination of causality spanning back for countless eons.